All five incorporate at least one of the themes found in the novel by Ken Kesey and are broad enough so that it will be easy to find textual support, yet narrow enough to provide a focused clear thesis statement.
Bromden sees modern society as an oppressive, mechanizing force, and he views the hospital as a repair shop for the people who do not fit into their roles as cogs in the machine.
His way of interpreting the world emphasizes the social pressure to conform. The hospital is normally defined as the place where the ill go to be cured.
However, in the cases of Ellis, Ruckly, and Taber, the cure—being in the psychiatric hospital—is obviously worse than the disease.
However, it is hard to tell the difference between the cured and sick patients. Taber, the cured patient, functions like a robot incapable of independent thought after he leaves the hospital; as such, he fits perfectly into society.
When the gas station attendant tries to intimidate the patients and the doctor into accepting services they do not want, McMurphy comes to their rescue by showing them how their stigmatized identity as mental patients can be used to their advantage.
Instead of being made to feel afraid, they can inspire fear in others by exaggerating their insanity. McMurphy tries to teach the other patients another way to cope with the outside world, without using an approach of total conformity.
However, when they arrive at the docks, they are too timid to answer the insults of the seamen without the support of McMurphy. Once they are out to sea, McMurphy refuses to step in and aid the patients.
He leaves them to manage things for themselves, and, to their surprise, they find they do not actually need his help. They begin to see themselves as men, not as feeble mental patients. When the patients return to the docks, they realize that they have proven something to themselves and to the outside world, and the seamen are impressed by their large catches from the sea.
Several images contribute to the perception of McMurphy as a Christ figure. He is baptized with a shower upon entering the ward. He takes the patients on a fishing trip, like Jesus and his twelve disciples, to test and strengthen their faith in him and his rehabilitation methods.
He sacrifices his own hopes of personal salvation when he violently attacks her. McMurphy rips her uniform to reveal her femininity, the evidence that she is not an all-powerful machine but a flesh-and-blood person. Although he himself dies as a result, his sacrifice becomes an inspiration to the other patients.One Flew Over the Cuckoo's Nest Questions and Answers - Discover the timberdesignmag.com community of teachers, mentors and students just like you that can answer any question you might have on One Flew.
How does One Flew Over the Cuckoo’s Nest fit into the literature of paranoia and conspiracy theories? In what ways does One Flew Over the Cuckoo’s Nest suggest that conspiracy theories are true, rather than a product of mental illness?
Aug 24, · Ken Kesey's "One Flew Over the Cuckoo's Nest" is a unique fiction novel about oppression and rebellion in an American 's Mental Hospital. In this highly distinctive novel, setting definitely refers to the interior, the interiors of the Institution.
The title of the novel One Flew Over the Cuckoo’s Nest is a line from a nursery rhyme recited by one of the characters in the story.
But “cuckoo” is also another word for crazy or insane, and since the book is set in an insane asylum the title stresses on one character that metaphorically “flew over” the cuckoo’s nest. The film “One flew Over the Cuckoo’s Nest” accurately depicts and presents the various psychological issues, such as the use of psychosurgery, institutionalism inside the psychiatric hospital and the medical and societal attitudes towards patients during the s.
Trace the Civil Rights Movement in the United States since the Civil War, and explore whether Kesey's treatment of African Americans in One Flew Over the Cuckoo's Nest is racist. Previous Full Glossary for One Flew Over the Cuckoo's Nest.